I think sometimes you don't understand how to convey an idea, depending on the moment you're living in.

You need to know what doesn't work to know what works. It's especially true in improv and stand-up.

I like films that are so funny, dramatic and lifelike simultaneously, that you are laughing and cringing simultaneously all throughout the film.

I thought, Hey, maybe these people shouldn't be making up holidays to drink more. Maybe if they drank less they might be able to title their newspaper articles more specifically. For example, I would title this last article "Drunk Driver Hits Drunk Walker Drunkety-Drunk I'm So Drunk."

When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.

I feel that marriage can lead to the ultimate rejection and failure and divorce and things we all fear.

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.