Those who are saying it's possible [to balance family and business] are often in a little bit of a rarefied place where they also have the money to do that. It's not quite such an easy stance to take when you don't have the same resources. I like to remind people that these are rich Manhattanites and to keep an eye on the fact that, especially with social media and these articles and these blogs, that that is not the reality for most women, unfortunately.

True love is singing karaoke 'under pressure' and letting the other person sing the Freddie Mercury part.

I'm so much more confident and sexy at thirty-eight than I ever was when I was eighteen or twenty-four.

There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.

When I was a little kid, I wrote this play about all these characters living in a haunted house. There was a witch who lived there, and a mummy. When they were all hassling him, this guy who bought the house - I can't believe I remember this - he said to them, 'Who's paying the mortgage on this haunted house?' I thought that was really funny.

There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art.

It doesn't help for you to name a character's first name be Mindy and then be like, "I'm nothing like the character."