I have this identity for myself as a writer and the only thing that can happen is that I chip away from it.

We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter." We've got to jump ahead and write that stuff that's in Jessica's show. Fortunately, we knew the story, but it was challenging.

What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun of it.

The people that always impress me are the ones that are curious about what they're going to do next.

They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.

Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.

But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.