There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.

I think of there being two conditions that creative people go through. I think it's fear and curiosity.

I think it's a big part of being a creative person.

Netflix will know everything. Netflix will know when a person stops watching it. They have all of their algorithms and will know that this person watched five minutes of a show and then stopped. They can tell by the behavior and the time of day that they are going to come back to it, based on their history.

I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.

I remember being asked when I was in high school what do I want to do when I grow up and the answer is so indicative - I would like to have been a successful playwright.

I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.