I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.

I think it actually makes more sense for a new audience than the old show did because we're focusing on one character at a time. It's all conjecture why somebody didn't watch, but one of the theories was that there was just so much information, even in the trailers and promos, of all these different people.

My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something.

Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down."

At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.