I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.

There was so much talk about the movie and we thought, "Wouldn't it be great to still do the movie, but to give everybody this thing they didn't see coming?" Even with the number of episodes, it was reported that there was going to be 10 episodes, and then there was talk about adding more.

I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.

They say to just write about what's happening in your backyard because that's where you find the most creativity. It's in the DNA of the show. There's no question.

The people that always impress me are the ones that are curious about what they're going to do next.

One of the great things about TV is the story to tell can be very internal and really character-based.

I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.