I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

The people that always impress me are the ones that are curious about what they're going to do next.

We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter." We've got to jump ahead and write that stuff that's in Jessica's show. Fortunately, we knew the story, but it was challenging.

The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.

I think of there being two conditions that creative people go through. I think it's fear and curiosity.