I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

But, you have to watch them in order. That's very important because, as it turns out, stories have to be told in order. It's like reading a novel. There are times when it's tiring. And then, you get hooked and it's a page-turner, and you really want to keep reading. I do think there will be some fatigue that sets in.

Even on the old show, we would maybe not all be in the scene. Sometimes there would be a penthouse scene and everyone would get together. But, even in that context, it would be because somebody was missing.

I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving.

People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.

Well, at the time, you have to remember that we were not successful. The Showtime offer, as it was presented to me, was half the money for half the show. I was not interested, at that point, in doing a smaller cast and a more simplified Arrested Development.

Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.