For me, selfishly, The Postman didn't kill my career. It meant I didn't shoot straight and painfully into the limelight, but Rushmore came out of it. No one would have known where I was to cast me in Rushmore had I not been in The Postman. Because they shared a producer. Nor would I have been in The Sixth Sense. Nor would I be speaking to you now if Kevin Costner hadn't cast me in The Postman.

I'm a mixture of Anglo-Saxon, a bit of Spanish and one-eighth American. I've often wondered if I have an Asiatic ancestor from the East as well because I have deep-set eyes. Make-up artists are constantly trying to shade my eyelids, and I have to point out that I don't have any!

There's this absurd situation on a movie set where your trailer's here and the set is here and the lunch tent is here, and you're not allowed to get yourself from these three places.

My agents were like "Come to L.A., we've got meetings for you." I was like "No, I'm doing this now." Then my father became very ill back in England, and I didn't want to be away. I went back to England and did a bunch of crazy indie movies, all of which I loved with a passion, and none of which did any business.

My parents taught me everything and set me up for life. I owe to them all the things I'm passionate about: music, art, the people I love, my career and family life, the fact that I have children and the way that I raise them.

My parents have always been cool. They even became surrogates to friends of mine who didn't have such supportive parents.

I'm 5'9" and have the body of an English person that doesn't know how to diet.