Whenever I have that sad, depressed feeling, I go out and kill a policeman.

Bertie," he said, "I want your advice." "Carry on." "At least, not your advice, because that wouldn't be much good to anybody. I mean, you're a pretty consummate old [prat], aren't you? Not that I want to hurt your feelings, of course." "No, no, I see that." "What I wish you to do is put the whole thing to that fellow Jeeves of yours, and see what he suggests.

Unlike the male codfish which, suddenly finding itself the parent of three million five hundred thousand little codfish, cheerfully resolves to love them all, the British aristocracy is apt to look with a somewhat jaundiced eye on its younger sons.

And, anyway, no matter how much you may behave like the deaf adder of Scripture which, as you are doubtless aware, the more one piped, the less it danced, or words to that effect, I shall carry on as planned.

He was either a man of about a hundred and fifty who was rather young for his years, or a man of about a hundred and ten who had been aged by trouble.

I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?

Red hair, sir, in my opinion, is dangerous.