This Vladimir Brusiloff to whom I have referred was the famous Russian novelist. . . . Vladimir specialized in gray studies of hopeless misery, where nothing happened till page three hundred and eighty, when the moujik decided to commit suicide. . . . Cuthbert was an optimist at heart, and it seemed to him that, at the rate at which the inhabitants of that interesting country were murdering one another, the supply of Russian novelists must eventually give out.

Bertie," he said, "I want your advice." "Carry on." "At least, not your advice, because that wouldn't be much good to anybody. I mean, you're a pretty consummate old [prat], aren't you? Not that I want to hurt your feelings, of course." "No, no, I see that." "What I wish you to do is put the whole thing to that fellow Jeeves of yours, and see what he suggests.

It has been well said that an author who expects results from a first novel is in a position similar to that of a man who drops a rose petal down the Grand Canyon of Arizona and listens for the echo.

It was one of the dullest speeches I ever heard. The Agee woman told us for three quarters of an hour how she came to write her beastly book, when a simple apology was all that was required.

He had the look of one who had drunk the cup of life and found a dead beetle at the bottom.

New York is a small place when it comes to the part of it that wakes up just as the rest is going to bed.

She had more curves than a scenic railway