It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine.

I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.

I wonder what Tommy Morris would have had to say to all this number 6-iron, number 12-iron, number 28-iron stuff. He probably wouldn't have said anything, just made one of those strange Scottish noises at the back of his throat like someone gargling.

Unlike the male codfish which, suddenly finding itself the parent of three million five hundred thousand little codfish, cheerfully resolves to love them all, the British aristocracy is apt to look with a somewhat jaundiced eye on its younger sons.

There is no surer foundation for a beautiful friendship than a mutual taste in literature.

As Shakespeare says, if you're going to do a thing you might as well pop right at it and get it over.

One of the drawbacks to life is that it contains moments when one is compelled to tell the truth.