I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.

Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

I have a database of all my works that I maintain to keep track of works and editions.

I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.

The silicone we use is the hardest, most UV stable we can get, and we have done enormous amounts of testing and research to get a paint solution that is extremely hardy and repairable.

I pretty much keep everything; we have drawers full of samples and tests and every old catalogue and magazine.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.