I would say my work is anti-ironic.

I have been interested in visual arts since high school and, after realising that I had absolutely no interest in the economics degree I had undertaken at ANU, I started a BFA in Sydney which I completed at VCA in Melbourne.

The studio keeps notes on the details of editions and production processes and the like.

For me it is a matter of respect for the ideas in the work and the people who look at them. I absolutely hate it when works come back to the studio for repair, and I try to make sure that they never do.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

I don't connect accessibility with lowest common denominator.