The studio does a lot of testing before we settle on a system. Unfortunately, this means that price tends to come pretty far down the list.

Of course, all my work is photographed and I also take quite a lot of photographs of work in production.

The studio keeps notes on the details of editions and production processes and the like.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

A child came up to me and asked 'am I dreaming?' I had a similar experience coming to the Art Gallery of South Australia when I was a child. My mum had done a workshop here and it stayed with me. It's an important formative time.

I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.

My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.