It's much easier to do something that's seen as being serious because people accept it right away, they don't question what you do, they just accept, because they think you must be right.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

Artists make worlds for people to walk through.

I finished VCA at the height of the last big recession in the early 90s, and seeing that I was not going to be able to join one of the dwindling number of commercial galleries, I started an ARI called the Basement Project which ran for three years. Things came a little at a time and all of a sudden it's 20 years later and I'm still making art, which is really all I ever wanted to do.

The way we look at nineteenth-century English social realism and appreciate the working classes of the emerging industrial revolution.

It's interesting to work with what's important today, which is meaningful for our everyday lives.

How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.