Doing 'Young Adult' was really reassuring to me in a lot of ways. It confirmed a lot of suspicions I had about great actors.

I'm glad that that era of stand-up is over, because I think it adversely affected a lot of people who could have been really, really great comedians. Because they unconsciously or subconsciously stifled their wild impulses, and were thinking about the five clean minutes for The Tonight Show, or the 20-minute sitcom pitch as a stand-up act.

If you actually do cold readings, it's very close to how people actually talk, because you're experiencing these thoughts anew every moment, and trying to make them come out coherently.

Somebody is going to find a way digitally that is just as innovative. In the end, the tools can change, but there is always someone who can think of something cool to do.

You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

My advice to you is be boring, square, asshole parents... When I have kids, the most recent CD I will own - Phil Collins, No Jacket Required, and I'll rave about it. 'Do you like rock 'n' roll? 'Cause this is rockin' good stuff, kid.'

I fantasize and idealize myself as Bugs Bunny, but I know deep down I'm Daffy Duck.