I want to experience as many different tastes, sights, emotions, conflicts, and cultures as possible, so that I can expand the canvas of my memory and enrich my comedy.

I would always rather shoot for something unique and fail than do a script because I feel like they're hitting all the right mainstream beats.

You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.

It’s the method of consumption, not what’s on the plate.

You just do as many shows as you can to hone what it is you're working on.

Based on my own experience, when you're going through adolescence you don't know how the world works. You can't set a story in the world you live in because you don't know what a utility bill is, or how to budget your paycheck.

Zombies can't believe the energy we waste on nonfood pursuits.