I want to experience as many different tastes, sights, emotions, conflicts, and cultures as possible, so that I can expand the canvas of my memory and enrich my comedy.

But for the most part, for the majority of a stand-up audience, you better have new stuff they've not heard. And if you put an album out, just consider that material gone. At least that's how I see it.

I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.

Any comedian who tells you how dark and dangerous they are, they're not dark and dangerous.

The problem is, and I'm just as guilty of this, a lot of people see their follower count increase and mistake that for friendships. It's great to have followers, especially if you want to sell albums, promote shows, or promote your friends, but you still need to get outside and talk to other human beings.

Every zombie story is fundamentally about a breakdown of order, with the infrastructure intact. That infrastructure might be on fire, yes.

I'm always trying out new stuff onstage. That's where I do all my writing.