It is almost axiomatic that the worst trains take you through magical places.

I don't want to be the honored guest. I want to be the invisible person.

Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.

Travel books are all sorts - some are autobiographies, some are about falling in love. Some are about having great meals, some are about suffering. There are as many different kinds of travel books as there are novels. People think a travel book is one thing. It's many things.

You define a good flight by negatives: you didn't get hijacked, you didn't crash, you didn't throw up, you weren't late, you weren't nauseated by the food. So you are grateful.

An island is a fixed and finite piece of geography, and usually the whole place has been carved up and claimed.

People talk about the pain of writing, but very few people talk about the pleasure and satisfaction.