I've written about a lot of different things, but the whole idea of writing for another character is unusual for pop music... Most of the repertory is love songs, and most of mine isn't. I don't know if that's a mental defect, or shyness, or what.

I'd like to explain why you fine young men had to be blown apart to defend this mud hole.

I think in most cases, unless you're writing about a character who is garrulous, you say what you've got to say and then get out. Those little conjunctions, those little turnaround words help you do it. That's the way I like to write: I get rid of things rather than add them.

My music has a high irritation factor. I`ve always tried to say something. Eccentric lyrics about eccentric people. Often it was is joke. But I would plead guilty on the grounds that I prefer eccetricity to the bland.

This is the Republican Party who has run against Russia for 80 years and you know, (Trump) hasn't mentioned (Putin) except in a positive way.

"Rednecks" always made me nervous to play, but I'm glad I wrote it and I continue to play it. It's just that the language is so rough.

If getting on the radio was a major motivation, I'd be one of the worst writers of all time. I admire people who do it, and I think it's a nice way to work, but I try to do the best I can and write what I like. I don't worry about it.