The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

I think this, I think basically I'm not interested in people following my work or making work like my work.

The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.

I used to eat lunch with Billy Wilder when I first came out here.

Work out of your work. Don't work out of anybody else's work.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.