I like big escapist films. It's odd because the type of comedian I am and the things I do when I'm writing and directing myself usually deal with the darker side of the human psyche and excruciating social faux pas. I often deal in taboos and the subjects I do as a stand-up are quite challenging. But my film roles have been much more fun and escapist.

I remember one review of The Office Christmas Special that compared it unfavourably to Dickens. What? You're saying I'm not as good as the greatest storyteller ever. Boo! Boo! I think I can live with that.

What is the single most important thing for a company? Is it the building? Is it the stock? Is it the turnover? It’s the people, investment in people. My proudest moment here wasn’t when I increased profits by 17%, or cut expenditure without losing a single member of staff. No. It was a young Greek guy, first job in the country, hardly spoke a word of English, but he came to me and he went ‘Mr. Brent, will you be the Godfather to my child?’. Didn’t happen in the end. We had to let him go, he was rubbish. He was rubbish!

The existence of God is not subjective. He either exists or he doesn’t. It’s not a matter of opinion. You can have your own opinions. But you can’t have your own facts.

With 'The Office' and 'Extras' I've always snuck in a little bit of heart and pathos - and drama, which is fun.

It will be great to play a short, fat sweaty loser for a change.

That's what life is, it's the small struggles. You walk down the street for half an hour, you see half an hour of drama. You don't need convoluted plot lines. You don't need long-lost brothers. You don't need it's set on the future; it's set on the moon.