I like big escapist films. It's odd because the type of comedian I am and the things I do when I'm writing and directing myself usually deal with the darker side of the human psyche and excruciating social faux pas. I often deal in taboos and the subjects I do as a stand-up are quite challenging. But my film roles have been much more fun and escapist.

I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.

I've got three friends that you'd call famous, but I'm sure after 20 years, most of my friends will be famous or work in television, because that's the nature of what your work is. When I was working in an office, most of my friends worked in offices.

I remember one review of The Office Christmas Special that compared it unfavourably to Dickens. What? You're saying I'm not as good as the greatest storyteller ever. Boo! Boo! I think I can live with that.

I never had a plan. I just sort of ambled along, doing exactly what I wanted every day of my life.

The best advice I've ever received is, 'No one else knows what they're doing either.

The world is bigger than all the parts. That's the important thing, and one thing can throw everything off kilter. And you must never let yourself off. You'll let yourself off by mistake. So you shouldn't do it consciously. You have to be above it all and just be very disciplined with it. Just be very disciplined with it.