Parks are idealizations of nature, but nature in fact is not a condition of the ideal.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

History is a facsimile of events held together by finally biographical information.

Language operates between literal and metaphorical signification

Questions about form seem as hopelessly inadequate as questions about content.