Art's development should be dialectical and not metaphysical.
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
The memory of what is not may be better than the amnesia of what is.
As long as cameras are around no artist will be free of bewilderment.
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
One's mind and the earth are in a constant state of erosion, mental rivers wear away abstract banks, brain waves undermine cliffs of thought, ideas decompose into stones of unknowing, and conceptual crystallizations break apart into deposits of gritty reason.