I don't think it's necessarily 100-percent true. But comic books have infiltrated the mainstream Hollywood in ways that I don't think I ever would have seen or thought imaginable a while ago. But it's also cyclical. You saw it in the '80s when it became kind of huge again. And then it disappears for a while, then it comes back again, then it disappears for a while. So yeah, there's something about that.

I dragged my wife from our honeymoon in Africa and landed her in Ontario, Canada, when it was -40 degrees.

We might be too proud to admit it as guys, but we still need to learn how to manage responsibility, how to face our challenges.

I don't think you can help but personalize a role. You almost play to none of the preconceived notions of it. It's more or less a personal experience and journey.

I always say that chemistry is something impossible to manufacture. It's either there or it isn't. The fact that you're friends doesn't necessarily equate to great chemistry.

You can be deported back to Canada, absolutely, for a shockingly minor infraction. Little bar fight. Next thing you know you are back in Sascatchuan. Which I'm not from, thank God... But it did concern me.

If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.