Those of us who are writers and have to perform to communities that aren't used to coming to book events, I would recommend taking some theater.

So how are you supposed to learn how to drive with this guy yapping at you? My brothers were the ones who got to practice. So when you have to get on the expressway, you're afraid. That's what I think. That's why I take back routes on two-lane highways.

What you're going to be asked to do is bigger than what you think you can do. It's always bigger than what you think you can handle, but you're never going to be given something you can't handle.

A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.

We tend to think of orphans as being the protagonist of stories we read when we're kids, and yet here you are: you're an adult, you're supposed to manage, you're supposed to get over it, you're supposed to go on with your life, and you feel like a lost child.

What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.

Each book gets harder, each book gets harder and harder. I always feel like crying when I have to write.