We build our character as a carapace to keep away the fear of the abyss. That's what our character is for.

If I hear that people are litigious, I immediately dismiss them.

I like fat girls. A woman can never be too poor or too fat. I'd take a poor fat girl over a rich thin girl like Kate Moss.

You may look back on your life and accept it as good or evil. But it is far, far harder to admit that you have been completely unimportant; that in the great sum of things all a man's endless grapplings are no more significant than the scuttlings of a cockroach. The universe is neither friendly nor hostile. It is merely indifferent. This makes me ecstatic. I have reached a nirvana of negativity. I can look futility in the face and still see promise in the stars.

Everyone says Oscar Wilde was a dandy, but he wasn't, he was an aesthete. He took pleasure in food and stuff like that. Dandyism is much more austere-much more Calvinistic, more neurotic - it oscillates between narcissism and neurosis.

People are obsessed by happiness, but there are a lot of other invigorating experiences available.

An artist has to go to every extreme, to stretch his sensibility through excess and suffering in order to feel and to communicate more. I have always been fascinated by blood. Pain can be vitalizing; it gives intensity in the place of vagueness and emptiness. If we don't suffer, how do we know that we live?