I think that's the fascinating thing that exists now. This contrasts with a celebrity art and celebrity music culture.

I think what we tried to do lyrically, vocally and musically was to capture a sound.

We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.

We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.

Some of it was shot in Berlin, but a lot of it was filmed in Hamburg, along the Reeperbahn in Hamburg in the famous red light district. Kino is obviously German and "film" and "cinema" and we were always cinematic in our thinking.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

In that period, we had the Cold War mentality imbued through us - the Post-war [environment] and the Cold War. I think we were reflecting some of that. This was before the Wall collapsed, etc.