I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.

We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.

I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.

In the 80s, we were still living in a kind of Cold War environment.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.

We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.