We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.

We've always been journalists - and have seen ourselves in that way. But we sort of recontextualized it through music.

Crackdown had Dave Ball playing on it. Flood worked on our next album, and Adrian Sherwood worked with us on Code.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

I think probably underneath it all, film [Kino] has its own rhythm and its own dynamic, and we were trying to capture the movement of film and cross-reference it with music.

We were sort of coming from an angle where we wanted to break rules.

[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time.