This was in the sense that if Dada was reacting to the morality and aesthetics of pre-WWI, then we were very much a reaction to the pomposity of rock that existed within music at that time.

[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time.

I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. That was part of it for us as well, and that's why we were kind of swept along with punk.

One of the tropes of our videos is that they were very rhythmic with clipped edits.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

We were coming from a completely different place, which was saying "sound" is what you want to define it as, and you can shape it into music in whichever way you want.

We were iconoclastic. We weren't there to sort of follow the trends really. So it was important that we were making a statement against that.