We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

This was in the sense that if Dada was reacting to the morality and aesthetics of pre-WWI, then we were very much a reaction to the pomposity of rock that existed within music at that time.

Even though we were influenced by American culture and music, we like the rest of Europe have been colonized with that in the post-war period. At the same time there's a sense of dirty earthiness and Europeanness and Britishness in it as well.

I edited Big Funk, some of the footage was shot by Peter Care. We were film buffs as much as music buffs, and so there are film reference as well as sound references.

It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.

We were responding to a period in the 70s when we started that it was very much you cannot be involved in music unless you studied to do music.

We were working in entertainment, in the music industry, with popular music, it was important, but it was something that we also felt was a responsibility.