I think probably the most difficult challenge was just the climb and rise in show business because I went through my entire twenties with some success as a comedy writer but not much as a performer. And you have to be kind of informed and naive at the same time.

I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.

A kiss may not be the truth, but it is what we wish were true.

I opened the show with this line: "I have decided to give the greatest performance of my life! Oh, wait, sorry, that's tomorrow night.

I choose a project based on whether it feels worthwhile working on when it comes to me. But secondly I choose it if it sounds like fun. Projects are determined by just how they strike me at the moment, as they have done throughout my whole life.

I thought if I had a Twitter feed and say I had a following of a 100,000, that means 100,000 of them would be interested in my book. It was logical, but it didn't turn out to be true. It turned out if I had a Twitter feed of a 100,000, four of them were interested in my book.

I was very interested in vaudeville. It was the only sort of discipline that was a five-minute act on stage, which is what I really enjoyed and saw myself doing. And I bought books on it.