There are some people that will not pick up a phone and call you, but if you knock on a door and talk to them, they'll talk back to you.

Through the years, I have learned there is no harm in charging oneself up with delusions between moments of valid inspiration.

Whether I'm involved in creating something or not, it's a personal issue of do I respect it. But you can only know that five or ten years later.

I take editing seriously. It's a joy to edit. I always hand a manuscript to several editors and can't wait to get back their notes and see what they've said. I don't criticize myself for making blunders here and there, because it's just natural. You write in chunks, and you may not remember that that sentence you wrote yesterday had the same word repeated three times. I do enjoy that. I love the feeling of repairing. Repairing is really nice.

When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

I was raised with "Laurel and Hardy" and "I Love Lucy" and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.

The greatest thing you can do is surprise yourself.