The environment changed with Martha Stewart and Enron.

I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.

Acting keeps me alert to people, and life. I don't know, there's something about going to work early in the morning, and having to stay alert and concentrated. Maybe that keeps your mind alive.

I love animated films when they are good, because they do bring a lot of emotion and heart that's very difficult to get in a live action film.

I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.

To be with another woman, that is French. To be caught, that is American.

In talking to girls I could never remember the right sequence of things to say. I'd meet a girl and say, Hi, was it good for you too? If a girl spent the night, I'd wake up in the morning and then try to get her drunk.