He never complicates a desire by overthinking it, unlike Mirabelle, who spins a cocoon around an idea until it is immobile.

It's like painting the same blank canvas over and over and over and over and over. Once the concept is known, you don't need to see two. And that was in the back of my head, that I was really done artistically with what I had created or pastiched.

I studied with the Maharishi for many years, and really didn't learn that much. But one thing that he taught me, I'll never forget: 'ALWAYS...' no, wait-- 'NEVER...' no, wait, it was 'ALWAYS carry a litter bag in your car. It doesn't take up much room, and if it gets full, you can toss it out the window.'

The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.

There's no better way to learn something than to learn it in front of an audience. Your terror drives you.

So, while fitting in, she was like a wicked detail standing out against a placid background.

When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.