As we all know, it is the proper duty of every British subject to come to the aid of the TARDIS.

I was called a misogynist because I was reducing women to mothers. 'Reducing women to mothers' – now there is possibly the most anti-women statement I've heard.

The Doctor: This is bad, I don't like this. [kicks console and yells in pain] Never use force, you just embarrass yourself. Unless you're cross, in which case... always use force! Amy: Shall I run and get the manual? The Doctor: I threw it in a supernova. Amy: You threw the manual in a supernova? Why? The Doctor: Because I disagreed with it! Now stop talking to me when I'm cross!

I can't see what's wrong about assuming intelligence in your audience and what's bad news about being rewarded for assuming that.

River Song: Right, I have questions. But number one is this: what in the name of sanity have you got on your head? The Doctor: It's a fez. I wear a fez now. Fezzes are cool.

The story of Sherlock Holmes, on the surface, is about detection, but in reality, it's about the best of two men who save each other - a lost, washed-up war hero and a man who could end up committing murders instead of solving them. They come together. They become this perfect unit. They become the best friendship ever, and they become heroes. That's what we fall in love with, not Sherlock on his own. No one can love that man on his own, but Sherlock Holmes and Dr. Watson - the best friends ever.

My problem is that the audience is more fiction-literate than ever. In Shakespeare's day, you probably expected to see a play once or twice in your life; today you experience four or five different kinds of fiction every day. So staying ahead of the audience is impossible.