All the foundation work you plant in the early seasons pay off in stronger storylines deep into our seasons. I think that only aids in performance.

It's the reason we go to films and watch television: to escape the mundane nature of life and see another world and see ourselves in that other world. I think that's what sci-fi does so well.

I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.

I've worked on shows where the lead actor doesn't know their lines, doesn't care, and it affects everybody - the crew, the director, the other actors. It's definitely a responsibility.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.

I'm incredibly close to my family. I have two younger brothers, they're both artists and actors; and their work and the way they see the world inspires me. We've been making films together since we were kids, in our backyard.