All the foundation work you plant in the early seasons pay off in stronger storylines deep into our seasons. I think that only aids in performance.

I'm so inspired and stimulated by the work that it doesn't ever feel like work.

I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.

I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.

I love people, watching people interact. It's a lot of psychology. We learn about ourselves by watching other people's lives on the screen.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

I'm excited to work on something where I have a bit more time with it, to explore one personality. That's definitely exciting to me.