When I first set out to ruin SNL, I didn't think anyone would notice, but I persevered because - like you trying to do a nine-piece jigsaw puzzle - it was a labour of love.

When I first set out to ruin SNL, I didn't think anyone would notice, but I persevered because - like you trying to do a nine-piece jigsaw puzzle - it was a labour of love.

I got a fan letter on the back of a prison menu. And I remember thinking, 'Well, they get pie. It's not so bad. They get pie on the weekends.' I want to say blueberry and also a Boston cream pie. Not so bad.

You don't just decide to destroy a person by making up stuff, and no one at 'SNL' is writing to go after someone.

It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.

One of the great things about doing animated movies is that you don't have to dress up or put on make-up.

Once or twice a week I would set my alarm for six A.M. so I could get up and plug in Hot Stix...I would study the curls in the mirror, impressed with both the appliance and my newfound ability to use it. Then, without fail, at the last second before leaving for school, I would ask myself, "Am I supposed to brush it out or leave it?" Why could I never remember" That feeling of "I'm pretty sure this next step is wrong, but I'm just gonna do it anyway" is part of the same set of instincts that makes me such a great cook.