I don't know any astronauts. There are a lot of people who say they want to be comedians.

I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.

There's people that are just in awe of what you do, and then there are people who just think it's garbage. And I think there are people who are just uncomfortable seeing someone have fun with their job

I'm particularly proud of my reluctance to share my dreams with anyone.

Comedy clubs are a bit more expensive. That's the problem with some of these places. But the flipside of that is, if you do too many shows for free or $5, then people don't understand why you can't fly to Milwaukee and do a show for a $3 cover. That won't even pay for my flight.

I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage

I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.