Sometimes they're all collectively thinking, "Wow, we're kinda a shitty audience," and then if you point it out, it's kinda like, "Hey, I know what's going on. We know what's going on up here. Or what's not going on. And I'm letting you know that I know. And now we can fix this."

The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.

I want to release another CD this year, finish writing a screenplay, and make another short film

I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage

People in New York love having roof parties.

Anyone who bombs is my friend.

I mean, I've always had scattered interests, but I never went on stage to get an agent or anything like that