I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.

It wasn't so much destroying my dancing, it was destroying me

What's in yesterday's newspaper is today's fish-and-chip paper. If it really affects my life so badly, so personally, then I would do something about it. When it's really out of order, or something possibly detrimental to my family, or I'm driven to such a level that I know that this can be picked up and repeated again, I will just write or e-mail the newspaper editor. So, in the next day's newspaper, it might say, "Tracey Emin says this is factually incorrect."

I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both.

They grew really quickly. One minute I didn't have any tits and the next I had the biggest tits in the world.

I've worked really hard. I've made three pieces of seminal art in my life. If I died tomorrow, I'd be remembered for making them. There are a lot of artists who, no matter how hard they work in their lives, will never make anything seminal.

The words went round and round and round in my mind and my body, until I knew they were no longer my words but something that had been carved into my heart. And now my soul was crying.