My relationship with American audiences is the exact same as it always has been. They never came to see my films, and they don't come now.

It's a match made in heaven...by a retarded angel.

Life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do.

The curtain rises on a vast primitive wasteland, not unlike certain parts of New jersey.

I can live in Paris for four months or London or, you know, Barcelona. These are places that are like New York. But I don't think I could live in many places. When I had to make a film in the United States I picked San Francisco because to me it's one of the great cities of America.

You will notice that what we are aiming at when we fall in love is a very strange paradox. The paradox consists of the fact that, when we fall in love, we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand, we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us. So that love contains in it the contradiction: The attempt to return to the past and the attempt to undo the past.

I can't imagine any director directing a screenplay of mine, because the great directors all have very personal styles, and the ones that don't are not very interesting directors.