Quotes About Abstract

I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"

All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.

What a funny thing painting is. The abstract painters always insist on their connection with the visible reality, while the so called figurative artists insist that what they really care about, is the abstract qualities of life.

How many people make themselves abstract to appear profound. The most useful part of abstract terms are the shadows they create to hide a vacuum.

Jazz musicians like John Coltrane needed these very clear titles for their abstract music, and your decision to bring voices into your music as a way to tap into content. It's related to the way my text-based work still functions as abstraction for me. If I repeat a sentence down a canvas, the text starts to smudge and disappear. It essentially becomes an abstract piece. The meaning of the text is still there.

As far as Marx's analysis of capitalism, there's a lot of very useful ideas in it, but he's developing an abstract model of 19th century capitalism. It's abstract and it's changed.

The whole body of what is now called moral or ethical truth existed in the golden age as abstract science. Or, if we prefer, we may say that the laws of Nature are the purest morality.

Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than a minority of them - never become even conscious of them all.

With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me.

To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.

I consider my work non-objective and I think abstract is an abstraction of something, like a landscape. Abstraction means something is abstracted. It relates to something. Non-objective relates to nothing. It has no object.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting

As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.

Electric and magnetic forces. May they live for ever, and never be forgot, if only to remind us that the science of electromagnetics, in spite of the abstract nature of its theory, involving quantities whose nature is entirely unknown at the present, is really and truly founded on the observations of real Newtonian forces, electric and magnetic respectively.

And while I was not an admirer of people in the specific, I liked them in the abstract. It is only the execution of the idea that disappoints.

The original interest in making pictures that don't directly depict came around '97 or '98, when I felt there was such an acceleration of images in the world, and that was before Flickr and so on. So I felt a need to slow down how one consumes photographs. With the abstract pictures, I was engaged in trying to find new images, but in practice, it was a bit like throwing a wrench in the spokes. The omnipresence of photography is at a level that it has never been in the history of the world. I feel really curious to now reengage and see what the camera can do for me.

It is all too easy for a society to measure itself against some abstract philosophical principle or political slogan. But in the end, there must remain the question: What kind of life is one society providing to the people that live in it?

If the topic be highly abstract, show its nature by concrete examples. If it be unfamiliar, trace some point of analogy in it with the known. If it be inhuman, make it figure as part of a story. If it be difficult, couple its acquisition with some prospect of personal gain. Above all things, make sure that it shall run through certain inner changes, since no unvarying object can possibly hold the mental field for long.

In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.

Death can be successfully put out of mind for the simple reason that it is beyond human experience. Death is either the abstract concept of nonexistence or the emotion of fear.

I think there are plenty of men out there who are capable and accomplished in their own realm. You don't have to be in the same field. I've often been asked, "Didn't you want to get married?" And of course I wanted to get married, but you have to fall in love and want to marry a particular person. You don't get married in the abstract. So, although there were people I felt I might have married, it just never happened.

The US and Israel have demanded further that Palestinians not only recognize Israel's rights as a state in the international system, but that they also recognize Israel's abstract right to exist, a concept that has no place in international law or diplomacy, and a right claimed by no one. In effect, the US and Israel are demanding that Palestinians . . . formally accept the legitimacy of their expulsion from their own land. They cannot be expected to accept that, just as Mexico does not grant the US the right to exist on half of Mexico's territory, gained by conquest.

Soldiers join the military to serve their country, but when bullets are flying, it's hard to fight for an abstract notion like patriotism. They're fighting for the people standing next to them, and it doesn't matter who's a Republican or a Democrat, or who's black or white or Christian or Muslim or gay or straight. If Congress and all Americans could manage to ignore those differences, we would have a perfect country, but somehow we cannot rise to that level of nobility.

To tell the truth, in Pacific 231 I was on the trail of a very abstract and quite ideal concept, by giving the impression of a mathematical acceleration of rhythm, while the movement itself slowed . I first called this piece Mouvement symphonique. On reflection I found that a bit colorless. Suddenly, a rather romantic image crossed my mind, and when the work was finished, I wrote the title Pacific 231, which indicates a locomotive for heavy loads and high speeds (a type unfortunately disappeared, alas, and sacrificed to electric traction).

I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.

The man of science, like the man of letters, is too apt to view mankind only in the abstract, selecting in his consideration only a single side of our complex and many-sided being.

Art - when it is really doing what it should do - teaches abstract thinking; it teaches teamwork; it teaches people to actually think about things that they cannot see.

I suspect that any worthwhile exploration of these deep questions about living requires going beyond abstract discussions to the vivid presentation of possibilities. If readers are to be prompted to serious examination of their lives, anatomy isn't enough. We have to be stimulated to imagine, in some detail, what it would be like to live in particular ways.

With a metric you can really go to town, otherwise it is just abstract nonsense.

The world is very complicated and it is clearly impossible for the human mind to understand it completely. Man has therefore devised an artifice which permits the complicated nature of the world to be blamed on something which is called accidental and thus permits him to abstract a domain in which simple laws can be found.

When individuals and nations have once got in their heads the abstract concept of full-blown liberty, there is nothing like it in its uncontrollable strength.

Movement, or physical activity, is thus an essential factor in intellectual growth, which depends upon the impressions received from outside. Through movement we come in contact with external reality, and it is through these contacts that we eventually acquire even abstract ideas.

If the photographer is to create works that will stand for his spirit in the same way as artists in other genres, he must first - having no ready-made, abstract components such as works and sounds - supply other means to abstraction instead.

Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.

The more chaos there is, the more science holds on to abstract systems of control, and the more chaos is engendered.

I guess my experience with some stuff is kind of abstract.

I always say that writing non-fiction versus writing fiction is a bit like architecture versus abstract painting.

When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.

Future lawyers should be more aware that law is not a system of abstract logic, but the web of arrangements, rooted in history but also in hopes, for promoting to a maximum the full use of a nation's resources and talents.

I don't think poverty provides that much of an obstacle to education as one thinks. I think the bigger obstacle to education is the fact that it's a very hard thing to do for a first-generation schoolgoer. Because not to have parents at home who can help you, motivate you, is a problem even when the parents are in the abstract very keen on children being educated.

People with self-respect exhibit a certain toughness, a kind of moral nerve; they display what was once called *character,* a quality which, although approved in the abstract, sometimes loses ground to the other, more instantly negotiable virtues.... character--the willingness to accept responsibility for one's own life--is the source from which self-respect springs.

A mobile is an abstract sculpture made chiefly out of sheet metal, steel rods, wire and wood. Some or all of these elements move, propelled by electric motors, wind, water or by hand.

Theater is far superior to film in poetry, in abstract poetry.

Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.

I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.

Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.

All painting, no matter what you are painting, is abstract in that it's got to be organized.

I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.