Quotes About Abstraction

It would be a mistake to believe that one could come to any substantive understanding of politics by discussing abstractly the good, the right, the true, or the rational in complete abstraction from the way in which these items figure in the motivationally active parts of the human psyche, and particularly in abstraction from the way in which they impinge, even if indirectly, on human action.

All that is alive tends toward color, individuality, specificity, effectiveness and opacity. All that is done with life inclines toward knowledge, abstraction, generality transfiguration and transparency.

There are some very similar moments in the early work where the focus was on drawing, abstraction and fragmentation. Then it moved to the development of ideas. Lately it has become what architecture should be, which is more fluid organization. There has not been so much 'a change' but 'a development'.

Time is an absurdity. An abstraction. The only thing that matters is this moment. This moment a million times over. You have to trust me. If this moment is repeated enough, if you keep trying — and you have to keep trying — eventually you will come across the next item on your list.

Organizing time is exactly like organizing space. Just as a closet is a limited amount of space into which you must fit a certain number of objects, a schedule is a limited space into which you must fit a certain number of tasks. Each day and each week is simply a container, a storage unit with a definite capacity. The trick is to treat time not as an abstraction but as something solid that you can hold on to and move around.

Abstraction is itself an abstract word and has no single meaning ... Every word in our language is abstract, because it represents something else.

I'm an abstract painter not just for myself, but because I really believe in abstraction.

Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.

Only in relationship can you know yourself, not in abstraction, and certainly not in isolation.

The difference between what we see and a sheet of white paper with a few thin lines on it is very great. Yet this abstraction is one which we seem to have adopted almost instinctively at an early stage in our development, not only in Neolithic graffiti but in early Egyptian drawings. And in spite of its abstract character, the outline is responsive to the least tremor of sensibility.

We have also obtained a glimpse of another crucial idea about languages and program design. This is the approach of statified design, the notion that a complex system should be structured as a sequence of levels that are described using a sequence of languages. Each level is constructed by combining parts that are regarded as primitive at that level, and the parts constructed at each level are used as primitives at the next level. The language used at each level of a stratified design has primitives, means of combination, and means of abstraction appropriate to that level of detail.

The individual is the true reality of life. A cosmos in himself, he does not exist for the State, nor for that abstraction called "society," or the "nation," which is only a collection of individuals.

A whole population of strangers inhabited and shaped that little body, lived in that mind and controlled its wishes, dictated its thoughts...The name was an abstraction, a title arbitrarily given, like "France" or "England," to a collection, never long the same, of many individuals who were born, lived, and died within him, as the inhabitants of a country appear and disappear, but keep alive in their passage the identity of the nation to which they belong.

The truly modern artist is aware of abstraction in an emotion of beauty.

If power is abstraction, which many black men, black women, and people of color have very little voice in, well, then I want to sit at the table.

Pure drawing is an abstraction.

The cartooning was always just an abstraction. It was an income. It was making me famous. It was allowing me to go and do other things that I'd wanted to do.

I think abstraction is a very rich area. And it is upsetting that people seem to have some fear of it. I'm constantly making these statements about how you should just look at it and react to it on your own; just relax and let go.

A conscious decision to eliminate certain details and include selective bits of personal experiences or perceptual nuances, gives the painting more of a multi-dimension than when it is done directly as a visual recording. This results in a kind of abstraction... and thus avoids the pitfalls of mere decoration.

We call those works of art concrete that came into being on the basis of their inherent resources and rules - without external borrowing from natural phenomena, without transforming those phenomena, in other words: not by abstraction.

But we must not underestimate the potency of the mathematical process of abstraction. A surprising variety of things happen to have both magnitude and direction and to combine according to the parallelogram law; and many of them are not at all reminiscent of journeys.

Money, after all, is an abstract artifact, like language - merely symbolized by the paper or coin or whatever. If you can fully grasp its abstractedness, especially in the computer age, it becomes quite clear that no group can monopolize this abstraction, except through a series of swindle. If the usurers had been bolder, they might have monopolized language as well as currency, and people would be saying we can't write more books because we don't have enough words, the way they now say we can't build starships, because we don't have enough money.