Quotes About Acting

Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.

I find any sort of acting that doesn't have any humor in it is mind-numbingly boring. 'Serious acting' is the kind of acting that I don't ever respond to.

Perhaps we could push beyond these legalistic gender roles if we spent less time worrying about “acting like men” and “acting like women,” and more time acting like Jesus.

Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.

I know actors who say acting is acting, but I love the live-ness of an audience. I love feeling the energy of a room and allowing them to sort of teach you how to do it better.

Good acting is good acting, however you learn it. Some people who haven't studied are amazing. Some people like Leonardo DiCaprio are naturally gifted - he's learned technique by working with people early on.

Paul Schofield said something like, 'If I'm not acting in a play, I don't really exist.' Those weren't the exact words, but he meant it's only when I'm acting in a play that I've got something to say about the world. And then why should I talk, when people can come to see it?

Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.

Singing and acting are very similar. Singing makes you reach into your deepest feelings. Singing is an extension of everything that you do when you're acting.

I love acting. I can't imagine anything else that I would do. I know a lot of actors that really want to be directors and be musicians and all that stuff. I like acting and I feel like I'm good at it. It kinda makes me happy. It's actually pretty easy to me and I can't imagine doing anything else at this point because I've been doing it for so long.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.

Confidence. That's huge as an actor. Confidence can get you a long way. Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work. So it's a head game for me. "Can I really be confident in knowing my skill set is down? Can I perform like I own this role?"

My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.

I've always enjoyed acting, but there's a part of me that's shied away from living a celebrity life. I don't feel comfortable being noticed all the time. Sometimes I even fantasize about doing things other than acting. But I can remember being back on set the third day of my latest project and going, "Ahh, this is what I have to do for a living." It's what makes me happy.

I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.

Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.

I like acting and things when I like the writing. If I don't like the writing, I don't like acting. I think in some ways everything starts for me from the place of writing.

Acting is easier than skating in ia way and harder in other aspects. In skating, you get one chance, and with acting you get to do it over and over.

Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.

I grew up in Glen Ellyn, which is about 20 miles west of Chicago. I attended Glenbard South High School and University of Illinois. I didn't study acting until I moved to Los Angeles after college, but the fact that I was raised in the Chicago area set the stage for all of my comedic and acting sensibilities.

A social fact is every way of acting, fixed or not, capable of exercising on the individual an external constraint; or again, every way of acting which is general throughout a given society, while at the same time existing in its own right independent of its individual manifestations.

Acting is the absence of acting. It's believing in the truth of the moment you are creating.

There are a few pretty fundamental differences. In voice acting, if you are doing game recording, for the most part you are going to be by yourself in a studio. With game voice acting you are constructing everything for yourself pretty much. You're thinking about what the other characters could be doing, trying to imagine the scene, you're constructing the entire environment for yourself.

In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.

I kind of hid acting from my dad because I knew what he thought about acting at the time. His advice was "Don't do it," basically.

I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.

Either in or out of time, the decision of a personal agency to commit an action happens antecedent to the action itself. Even if the deciding and the acting happened simultaneously, it would still not be true that the acting was antecedent to the deciding. Imagine God saying, "Oh, look! I just created a universe. Now I'd better decide to do it.

I learned much more about acting from philosophy courses, psychology courses, history and anthropology than I ever learned in acting class.

I have done some formal acting training, because I sucked at acting when I first got to Los Angeles. I'm still one of the worst actors and auditions out there.

Acting is ephemeral. You can't hang it on a wall. You can't throw it off. And you can't bring it out of a closet. It's there one night and it's gone the next, at least with stage acting anyhow.

I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

I stay subjective because that's what I do. That's one of my abilities. I don't need to watch it because I've had the adventure. I don't do low-budget acting. I do the same acting, whether I'm in a Jim Cameron or not. I always try to do good work. There's no snobbery in there

Television is face acting, and film is eye acting.

I hope, my career is never predictable. And my interests are diverse in that way. I feel very lucky that when I'm burnt out of acting I take to the pen and I write something I want to direct. And then when I'm tired of taking on too much responsibility as a director I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

I'm not really sure if I have anything that inspires me. I think what goes into my work is everything beforehand that I do with my dad. He teaches me acting, and I think maybe without him it would be pretty hard. I started acting for fun, really, because my dad's an actor and my sister's an actor, so I started doing it and it was normal. But it got places really fast, and I started doing feature film auditions and stuff.

It's an acting job - acting natural.

I studied acting in school and then of course couldn't get an acting job.

It was just expected that I would go to college. Both my parents are teachers and they tolerated acting, but I was going to go to a school of quality or bust. Which made my downshifting back to acting afterward a little difficult.

It's important to have a fallback and other activities that keep you interested. I started acting when I was about nine or 10 years old. My father was a midtown firefighter so I always wanted to be a firefighter, but then acting came along. I have to have a plan B.

I don't want to stop acting, but acting in some ways is a young man's game.

Acting is somewhat mysteriously taught. There are so many different methods and systems and processes for teaching acting because it will always be an elusive art-form.

A man of knowledge lives by acting, not by thinking about acting.

I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.

Making films has never just been a job to me, it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going, it's what I do, it gives life purpose.

Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.

Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.

I became an actor to escape my own personality. Acting is the most therapeutic thing in the world. You see, through acting you come full circle in your personality and, oh, what a grand time you can have along the way being wonderful people through your characters...I think all the courage that I may lack personally I have as an actor.