Quotes About Actor

Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.

Being large and muscular, you are not taken very seriously as an actor. When bigger roles come up and the actor needs to be muscular they tend to cast a regular sized actor and get him to hit the weight program as opposed to hiring an actor who's already muscular and developed in that area.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.

I want to be an actor, maybe a comic actor but a real actor.

I've always felt it's the directors purview to say what; it's the actor's purview to say how. It's not good for an actor to have the big picture in mind - it bollocks you up. An actor's purview is the tiny little... We measure our performance in seconds.

I think, when someone say, "When did you feel like an actor?" it's those moments when I feel like, "I'm an actor, wow." That's an extraordinary moment for me. So it's not like I walk around going, "I'm an actor."

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.

I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.

I never think of an actor as a model. A model wears what you tell them to wear, that's their job. An actor is different. It's important to work with the actor because in the end that's who the audience sees and that's the success that you need.

I just enjoy the filmmaking side of things. I feel like when you're an actor, sometimes you're in other people's hands and they're in charge of your creative life. Whereas with my production company, I'm the one that gets to make those choices for how I'm gonna spend my time and what content I'm going to be creating. I definitely learn a lot, especially about acting, by producing and directing and seeing how it all comes together, and seeing the other side of things, appreciating what goes into pre- and post-production, and all those things you don't see when you're an actor.

When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.

I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.

I think directing yourself is a monumental task. Just to self edit as an actor, you work for some directors who don't give you a lot of feedback so you have to do that. That's a difficult thing to do as an actor.

I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

I dont want to be just considered a breakout comedic supporting actor. I want to be a breakout actor in anything thats a lead.

I was an actor... or, at least, I was trying to be an actor.

I am first, and foremost, an actor. That's what I am. To me, a song is a mini-drama. My musical ability informs the actor as well because it gives me a sense of timing that non-musicians don't have. So, one hand washes the other.

If I wasn't an actor, I'd be a teacher, a history teacher. After all, teaching is very much like performing. A teacher is an actor, in a way. It takes a great deal to get, and hold, a class.

Before I was an actor, I was never able to hold a job for more than 3 months for some reason. It just wouldn't hold my interest, so there was some way that I wound up quitting or getting fired from it. But being an actor is perfect, because movies usually take about three months to shoot. Then it's over and they say, 'Hey, great job!'

A lot of people want to judge the fact that I'm an actor. That's ridiculous. No one knows what I was doing before I made my first movie. I just happened to do it as an actor all the while I've been doing music, but never with the intention to become a screaming famous pop star.

There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.

We do see Gong Li, Zhang Ziyi and Chow Yun Fat, but it's very rare to see the Chinese male actor in Hollywood movies, which is something I take great umbrage with. You know, my son is Asian. He may want to direct one day; he may want to be an actor like his father - and I want that to be open to him.

I've always known that I wanted to be an actor. My family kind of was a theatrically inclined family. My father came to New York when he was a young man to be an actor and he, over a course, was in a couple Broadway musicals. I grew up in family where theater was always part of the vocabulary. By the time I was a teenager I was just totally obsessed, and it was the only thing I could imagine myself doing.

Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.

Interest in religion is not necessarily interest in God. Religion in public life means a set of ideas, an ideology that has certain positions. Religion is then one more ideology among others. Religion is about God. Religion begins with a relationship to God, not a relationship to an idea. It is God who is an actor, not just individuals who have certain beliefs who are actors. God is an actor.

I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.

Almost everything I learned about being an actor came from those early years at the Actor's Studio.

When I started writing after my career as an actor, I knew that that other life in the film industry would be pulled into my writing life and that people would see me not as an author but as an actor starting to write.

It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it

As an actor it's like, go with whatever excites you as an actor. What are you're going to invest yourself in as a character? What are you going to get into? Have a variety of characters to play.

I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.

[Ryan Reynolds] is my favorite [ on Top Gear] - I think he's the most hilarious actor who just has not been able to catch a break in terms of being known as the most hilarious actor.

A lot of times, as an actor, especially a TV or film actor, you don't get a lot of interaction, or you don't get the feeling you are actually touching someone, or someone actually cares about what you do.

The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.

You've got to do the big studio movies to get your name, but as an actor and for your own well-being you kind of need to step back from that occasionally and do the smaller films. In the end, that's what helps you learn and makes you a better actor.

I am a professional actor and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do. They may inadvertently do it, but it's because of the script, not the acting.

What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."

I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.

If I'd made it right away as an actor, I would've stopped at a certain level and stayed there, probably as a character actor.

I like this other world, this forgetting of myself. The actor works in order to escape, not to find himself. You become an actor by leaving yourself, and then you have to keep acting. How tragic!

Look, I'm not odd. I'm just trying to be an actor; not a movie star, an actor.

Once you start working with a particular actor, that actor becomes very present in your mind as your mind as you're writing subsequent episodes.

Sometimes it's harder to play good tennis with a bad tennis player - the same way it's hard to be a good actor with a bad actor. It's just an unpleasant experience.

We joke about it in the entertainment industry: Every actor wants to be a musician, and every musician wants to be an actor.

You can't worry too much about profile; otherwise, you become a different kind of actor, and that's not the kind of actor I want to be.

I will say they were horrified when I wanted to be an actor. It wasn't a showbiz-y family, and my parents are real introverts who don't go to a lot of Hollywood parties and are most comfortable in their pajamas in our sweet little home. Part of the reason I wanted to be an actor and not just a writer is because I felt much more extroverted than that - I love to be around people, and feed off people's energy, and collaborations. If I hadn't had their example, I wouldn't have been so serious, but I also wouldn't have wanted so much to find another creative outlet.

Scratch an actor and you'll find an actor.