Quotes About Album

What novel - or what else in the world - can have the epic scope of a photograph album? May our Father in Heaven, the untiring amateur who each Sunday snaps us from above, at an unfortunate angle that makes for hideous foreshortening, and pastes our pictures, properly exposed or not, in his album, guide me safely through this album of mine.

I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.

I guess every musician looks forward to a point where they can just kind of make an album that truly is like a nice art album.

My first introduction to African music was by my mother, who bought the 'Pata Pata' album by the great Miriam Makeba when it came out. Now that is an album. What a voice.

In those days it was pretty cut and dry. If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.

Karl Agell sang for our Blind album which was our second best selling record. He's a great guy and as a matter of fact, before Mike, Woody and I really got going on touring on the old Animosity stuff, Karl & I did about a dozen shows performing the Blind album from start to finish. He's still a good friend of mine and is now in a band called Lead Foot that's more Rock and Roll but they're fantastic, kind of Thin Lizzy or MC5 sounding.

You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.

The only band that I can see that made changes over the years with success was The Beatles. They were able to change album to album and still be just as good or better. I didn't feel that we were able to do that. The Beatles were in a class by themselves.

I really love hip hop. My cousin Nas came out with an album Life Is Good, and I love that album, but I also love Maroon 5.

The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.

I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.

There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.

I had a record on the Terror Squad album "My Kinda Girls", and then I had a record on the second Terror Squad album and was featured all over it. I wasn't really introduced into the game until about late 2000 where people got to see where I look like.

I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.

Back in the day, fans wrote letters to groups - you'd get them, although it could take a while. Now, artists can go online and there's discussions about what you should and shouldn't be doing. The minute you announce that you're recording an album, thousands of people are telling you what that album should be.

My first album was called Seven Waves, and was directly inspired by the ocean, and the ocean has been a leitmotif in my music. Nature was my inspiration even in NYC, because I needed that balance - I would travel out to nature. I loved the big city, I loved the energy, but I needed the balance.

If you put a Van Halen album in your record collection, it will melt all the rest of your records.

I find it so funny that for the first time in history, people have access to this great equalizer in the Internet, which grants everyone the same knowledge base, and we use it to read album reviews and watch kitten videos... not to put those two things in the same light!

I can't wait until the record label feels like it's time for my album to come out, and then just disappear.

I'm into paradoxes. I wanted to make an album about them, but the group told me I was a pretentious fart. They were right.

Obviously it always takes longer to finish an album than you think it will. That's always going to be the case. Everything takes longer than you think it will. Occasionally things happen fast.

I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.

My uncle was a music producer and even he'd tell me to get a proper job. I tried to get him to give me five grand to make an album - it didn't happen.

Well, I suppose I could do a solo album, but my god, it would be terrible!

I tried to take some of the same records that were important to me on my album Full Speed that my fans really vibed with content-wise and just made sure that the production and actual sound was put together differently and wasn't rushed as much.

I lived in Brooklyn for a year and I moved out to Rockaway Beach. I've been living here for two years now. I put my address on the album, so I have a lot of visitors all the time.

In an odd way I thought I was lowering the bar for myself, in saying, well, I'll make a pop album. But in a way it's kind of harder to make pop music. It's like the more abstract you get with music, you get into that emperor's new clothes thing, where you can go anywhere, and just claim that your audience may not be prepared to go with you. But with pop music, I think everybody understands the form, everybody knows what it's meant to do. So I would say it's harder to write that kind of music.

We're not the kind of band who writes an order abundance of songs and picks from them, we usually write for the album.

Once I finish one album I know where to begin again.

I wanted to make a very cohesive-sounding album. Anyone who has listened to me and brought me into their living rooms and their bedrooms - I am making this for them.

I still play the same kit that I used on the very first album. It's an old Tama Superstar that I bought in 1983.

The main idea of it was to multiply everything, to have a bigger sound and grow venue size and grow fan base. As for a lyrical theme of the album [named "X"], it's just diary entries; it's just kind of like three years of my life in songs.

I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.

The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.

So many people didn’t want to touch the project with a 10-foot pole. Literally, I had people laughing and saying, ‘You’re making an album? Good luck.’ … But if you sit down and talk music with me for 10 minutes, you know that’s my passion.

I really like my life right now. I have friends around me all the time. I’ve started painting more. I’ve been working out a lot. I’ve started to really take pride in being strong. I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that.

Just six days after its release on iTunes, a record-breaking 33 million people have already listened to the album.

I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.

I went along and basically learned a few of the songs they were doing at the time, which were quite a few of the songs we ended up doing on our first album.

There's no such thing as the greatest album ever. There's no greatest book, greatest human, greatest movie. At a push, the closest record to perfection I know is What's Going On by Marvin Gaye or The Beach Boys' Pet Sounds but possibly because they are widely recognized as such.

I kinda like the idea of having an album that's all me.

A lot of what you do is about how you look. You're a good-looking guy who plays music, and you can't do anything about what happens because of that. If people say, "He's cute. I'm going to go buy his album," hopefully they'll like the music, too.

What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.

It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.

We will have a new Taylor album in October. The record is genius. I can't wait for the fans to hear it.

If you don't have an album or you don't have any tune, you can't start.

I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.

Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.