Quotes About Album

We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.

The only album that I listen to upon recording a new one is my 'Cry' album, because sonically, I think it's my best album to date. But other than that, I've never listened to my records, ever.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

My reaction to Radiohead isn't as simple as jealousy. Jealousy just burns; Radiohead infuriate me. But if it were only that, I wouldn't go back and listen to those records again and again. Listening to Radiohead makes me fell like I'm a Salieri to their Mozart. Yorke's lyrics make me want to give up. I could never in my wildest dreams find something as beautiful as they find for a single song - let alone album after album.

I know six years is a big break. But I never walked away from music. I never released an album because I wanted to do a different album, something I have never done before.

God built the Earth in seven days and seven nights, that's how I'm going to approach doing the album. So when it's time for me to actually finish up the album and do final cuts of everything, I'm going to line it up in seven days and seven nights. I'm going to document it, out the footage out, show people it's not a fluke.

The idea of going around to somebody else's flat or house and sitting around in a comfy room and having a really good hi-fi system and listening to a whole album all the way through, then chatting for a few minutes, then maybe putting another album on . . . does that happen today?

You know, your first album is about really amazing things. Your first album is always about coming of age, first love, first loss, usually you suffer a first loss of someone that you love to death, even, you know, really big life lessons, things you learn from your parents' divorce or from the travels that you took.

I’m very proud of Seungri. I worked over a year for my album, but one day YG told Seungri to make an album and he made one in just 2 weeks. Ah, maybe 3 weeks. He’s a true genius. I’m jealous of his propulsion.

I was really inspired while I was pregnant and I wrote a whole album for my baby. I wanted to write a kids album that didn't annoy parents. I used The Beatles 'Rocky Raccoon' as sort of a starting place for my writing.

Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage

We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.

Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.

I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.

I love music. It's always been a big part of my life, and I don't think people should, you know, judge me by my last name instead of listening to the album. I think the music definitely speaks for itself, and it's a great album.

I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.

My joke, which isn't really a joke, is that there will be one of two tours: the tour for the album that does well, or the tour for the album that stiffs.

A good album can make your day. A great album can change your life.

I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.

My first album deals with my anxiety. It wasn't like, to heal my anxiety and by writing an album I'm now healed. It was, here's a sound representation of what it feels like to be in an anxiety attack and that's it. I think we can say the same with image, people look at an image and see a billion different things.

Mixtapes, it's for everyone and you throw them in the trash quickly. While an album is an object that only your real fans take the trouble to buy and know you have prepared something special.

I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.

Nobody loves me. No, everybody wanted me to do this one by myself, and I wanted to do it by myself. So, this is sorta like my first solo album. I didn't pull any tricks out of my hat, and just went with the natural flow of the film.

I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.

Buy our album, were Nirvana, a garage band from Seattle. Well, it sure beats raising cattle.

When we came out, the kind of music that was popular was Nirvana, Soundgarden and Alice In Chains, all that stuff. That was when we released our second album, 'Images And Words', and it was something people werent used to hearing maybe, and it sort of rose above all that somehow, being progressive, or whatever.

The danger of these collaborations across disciplines is in having too strict of a division of labor - in my case, of getting stuck doing the music. When I make an album, I write music, I write lyrics, I come up with the visual design, etc. I get to do all of that stuff.

I would say the main themes are love, loss and life. Although a lot of the songs represent hard times and situations I think my album is positive, the message is things will get better.

I did LSD and peyote in the late Sixties, before I got into cocaine. That was concurrent with my change from a straight comic to the album and counterculture period, and those drugs served their purpose. They helped open me up.

My uncle was a music producer and even he'd tell me to get a proper job. I tried to get him to give me five grand to make an album - it didn't happen.

I've been following him since Space Oddity. And I've followed him from all those albums that didn't sell, like The Man Who Sold The World and things like that. Above all, apart from all the glamorous rubbish, the music's there. Ziggy Stardust is a classic album.

In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.

I tried to take some of the same records that were important to me on my album Full Speed that my fans really vibed with content-wise and just made sure that the production and actual sound was put together differently and wasn't rushed as much.

I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

I tend to just do whatever I want on an album and try to make it work. I'm just adventurous. It's most exciting to be at the edge of your abilities. I want to see how far I can push things.

Recently, I've been working on anew album of material, which should be out in the new Millennium. I'm not sure which song will be put out as a single, but I'm still hoping to get another record in the charts.

I always write the first and last song of an album first, and then the middle just kind of happens.

I was born an ugly duckling due to my mother's ill health. She wasn't supposed to be pregnant, there were all kinds of complications, she couldn't survive a cesarean section etc. She said, "They didn't hand me a child, they handed me a purple melon." I heard that when I had grown up and had no idea of the whole story because the family album had pictures of a covered carriage and my mother smiling so I assumed I was asleep.

Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.

I didn't put out this album because I wanted everybody to know I was grown up. I'm 21 and that's not grown up.

Music has changed a lot over the past few years so I believe it's necessary to adjust in order to make music the fans want to hear. If I need to release single after single instead of releasing the album, that is what I will do to reacquaint fans with who I am as an artist now.

But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.

I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year project.

With a comedian, it's the opposite. You put that album out, and they've heard it. If they're coming out to see you, you'd better be doing new stuff. There's always a tiny part of the audience that want to hear certain bits of yours, or they've brought friends to see you, and they've told them about some of your bits. Then maybe you should do them.

It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.

I wanted to make the album I always needed to make. I had to say the things I never could.

Well, I've heard a lot of people, but I think I would say a Brazilian musician named Hermeto Pascoal was one of my biggest influences. Through the years he mastered the keyboards. He use to play the organ Hammond B3, flute, saxophone, percussion and guitar. He is one of the most complete musicians that I ever met. Not too long after we came to the United States, Airto Moreira introduced him to Miles Davis, who recorded three of Hermeto's compositions on his album "Live Evil.