Quotes About Album

I've been following battle rap for a long time. Me and Daylyt are real cool. We battled on my album, he's on my album. We did a one round battle on my album and that was just me capturing These Days.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.

I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.

I gave the album [You're Under Arrest] to Quincy Jones and he loved "D Train". We couldn't call it "D Train"; it's called "MDI/Something's On Your Mind/MD2". That's on the album.

I would expect another Scars album before another System album.

You know, your first album is about really amazing things. Your first album is always about coming of age, first love, first loss, usually you suffer a first loss of someone that you love to death, even, you know, really big life lessons, things you learn from your parents' divorce or from the travels that you took.

I’m very proud of Seungri. I worked over a year for my album, but one day YG told Seungri to make an album and he made one in just 2 weeks. Ah, maybe 3 weeks. He’s a true genius. I’m jealous of his propulsion.

We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.

Things like, people saying the new album would debut at number one on the Billboard Charts in the U.S. and I said, "No it's gonna be number Three." Because Number 3 is a very powerful number on the album. It's repeated quite often. Then it did chart an Number 3. Was it a coincidence you decide. If your in touch with your subconscious, you can really use it to your advantage

Usually bands would make a song to record for an album, but what happens with the deejays you say "Well the album is everything we need. Thanks band. You can go away now."

With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.

I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.

You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.

I'd like to do a Christmas album. I've never done a Christmas album.

I've got a song on every album, two songs as a matter of fact on every album without Auto-Tune, and that's the song that nobody talks about. It's weird.

By 17, I had a whole band that would go in and play. It was called Spontaneous Inventions, after a Bobby McFerrin album.

Everyone's just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it's a huge antidote to that to have a concept album.

I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.

I'm a very open and loving person. My whole thing has been "let love rule" since my first album. I'm about unity and peace and God.

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.

I always hated the Grateful Dead. Never even bought a Led Zeppelin album.

Some kid can say, "Hey, I really want you to play my town in Switzerland, or Sweden, or Latvia," and they could have a fun night at the show. On the other hand, all those kids could have a record that means something to them in a more personal way a couple months down the road. The live band is a really important thing for us, but my focus is on the album now.

Jonathan Coe's genial, likeable novel can only be described as a kind of lit-prog-rock concept album... Coe recreates the period with such loving accuracy that I frankly suspect him of having planted a secret microphone in the tin Oxford Mathematical Instruments box I carried around in my school days... As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read.

I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.

I don't ever land on an album title until I know exactly what's going on the record, because you never know until it's all said and done.

My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.

A long time ago, I made the commitment to dedicate at least one song per album to God. He has been very good to me, and never for one minute do I want Him to think I've forgotten, because I haven't.

I did LSD and peyote in the late Sixties, before I got into cocaine. That was concurrent with my change from a straight comic to the album and counterculture period, and those drugs served their purpose. They helped open me up.

The best way to listen to the album is to put it on, get some Moet, lay back with your boys, and kick it.

An album is a thing you take time out and go work on.

I think that the creative process, especially in the beginning of making an album, I'm feeling very fragile, so to speak, because you are trying out so many different ideas, and if you are listening to it from the outside, it would sound horrible!

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

I can write songs, but I'm not gonna really feel good about the song unless it feels like me, and I'm not gonna release a song or put it on an album or play it in concert unless it really feels like me.

I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.

I don't want my album coming out with a 'G' rating. Nobody would buy it.

I resent the fact that a parental warning sticker has to be included on an album as cover art. To me that's censorship.

I'm not trying to be cosmic, it's just that everything's on a roll and that's how it is. The songs within the album discuss that very condition.

The Bring the Noise buzz was so strong, so we put it out on a release called 'Attack of the Killer B's' which was a record made up of B-sides and things like that - so it wasn't out on our new album, you know what I mean? But we always felt strongly about it.

I know Busta Rhymes for about a year now and we did a song together and we got an album together which is called "Godzilla vs. King Kong", which is going to be me and Busta. That was really the first time we rocked together on stage.

Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.

There's so much music out there, and so many different styles that I've been influenced by, so each album reflects some of that knowledge or influence that I've had.

The whole point of 'Acid Rap' was just to ask people a question: does the music business side of this dictate what type of project this is? If it's all original music and it's got this much emotion around it and it connects this way with this many people, is it a mixtape? What's an 'album' these days, anyways?

What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.

Music has changed a lot over the past few years so I believe it's necessary to adjust in order to make music the fans want to hear. If I need to release single after single instead of releasing the album, that is what I will do to reacquaint fans with who I am as an artist now.

But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.

I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.

I think fans get bored of the pre-roll. I also think they don't care about the pre-roll, they just want the album.