Quotes About Almost

I'm a great supporter of transcendental meditation. I've been using it for almost 40 years now - and I think it's a great tool for anyone to have, to be able to utilize as a tool for stress. Stress, of course, comes with almost every business. I think there are enough studies out there that show that TM is something that could benefit anybody. It's a great system to use. Otherwise, why would I've been doing it for all these years, for almost half of my life?

Every one has experienced how learning an appropriate name for what was dim and vague cleared up and crystallized the whole matter. Some meaning seems distinct almost within reach, but is elusive; it refuses to condense into definite form; the attaching of a word somehow (just how, it is almost impossible to say) puts limits around the meaning, draws it out from the void, makes it stand out as an entity on its own account.

There's a great Anton Chekhov quote. He says, "The Russian loves recalling life, but he does not love living." That scene has always been something that I have held dear. When something happens, the first thing you want to do is tell it. That's almost more exciting. It's almost simultaneous with the experience; you are already telling something incredible while it's happening. The stories that everybody carries around and repeats, I am really interested in that.

There are aspectsof this life-- of this world-- from which you can never walk away. Ever. The fact that almost everything you say to almost everyone you love for the rest of your life will be a lie is one of them.

People who are thinking about your music almost as much as you are, that almost never happens.

In a world where there are no longer books we have almost all of us read, the movies we have almost all of us seen are perhaps the richest cultural bond we have. They go on haunting us for years the way our dreams go on haunting us. In a way they are our dreams. The best of them remind us of human truths that would not seem as true without them. They help to remind us that we are all of us humans together.

The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.

If I have some extra words and I'm trying to make it fit into that shape, then I just sort of take out the extra words, almost like a sculptor would take a piece of granite. It's almost like cutting out the words that aren't needed in order to make it a stronger poem and still say exactly what I want it to say.

For years, I'd say yes to almost everything, trying to be nice and generous. Feeling obliged to be of service to the world. Maybe also a fear of being forgotten if I don't. But I paid the ultimate price in doing that, because for all those years, I got almost no work done! Some famous authors have written about this: that if they said yes to every request, then they'd never have time to write another book again.

The homes here are almost identical, but not quite, full of people almost identical, but not quite.

The remarks that [Steven] Lerner gave at Pace University: "'Unions are almost dead. We cannot survive doing what we do but the simple fact of the matter is community organizations are almost dead also. And if you think about what we need to do it may give us some direction which is essentially what the folks that are in charge - the big banks and everything - what they want is stability.'" So we have "'to destabilize the folks that are in power and start to rebuild a movement'".

Sometimes you write and you find yourself almost wondering how it will turn out. I don't think every writer sort of almost admits that at some stage his books can take on their own kind of life it selves and simply lead away into directions that they're not kind of prepared for.

People would come and threaten them. And they would respond by putting the book in the window. Behind that, the publishers, many of whom were menaced and receiving anonymous phone calls of the very menacing kind and so, almost everybody - not everybody, but almost everybody held the line.

When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.

I've almost been hit by a lot of things in New York City. I am pretty sure I have almost been hit by a bike messenger before.

When somebody tells you there's something wrong with your book they're almost always right, when they tell you how to fix it they're almost always wrong.

i have found what you are like the rain (Who feathers frightened fields with the superior dust-of-sleep. wields easily the pale club of the wind and swirled justly souls of flower strike the air in utterable coolness deeds of gren thrilling light with thinned newfragile yellows lurch and.press --in the woods which stutter and sing And the coolness of your smile is stirringofbirds between my arms;but i should rather than anything have(almost when hugeness will shut quietly)almost, your kiss

I tell you it's no joke to paint a portrait. I wonder that I am not more timid when I begin. I feel almost certain that I can do it. It seems very simple. I don't think of the time that is sure to come when I almost despair, when the whole thing seems hopeless.

Most people don't like to think. This is why human religions are so popular. It almost doesn't matter what the belief system is, as long as it's firm, consistent, clear in its expectation of the follower, and rigid. Given those characteristics, you can find people who believe in almost anything. It's God's way, they say. God's word. And there are those who will accept that. Gladly. Because, you see, it eliminates the need to think.

Almost everyone is dying to leave home, eventually; and almost everyone needs to.

We're going to fix [trade deals].You know, last year [2015] we lost almost $800 billion in trade deficits. We have trade deficit with other nations of almost $800 billion.

You have to be nicer to me," I said. Again he laughed. "What? I'm the King of nice. What are you talking about?" "You have to be nicer to me or... or..." "Or what?" he said. Still Lars, still charming and jokey, but with a thread of fear. It snaked in and pierced my numbness and almost broke my resolve. Almost, but not quite. "Or I have ti break up with you." I whispered What was there more to say? Nothing. So I hung up.

Almost all wars, perhaps all, are trade wars connected with some material interest. They are always disguised as sacred wars, made in the name of God, or civilization or progress. But all of them, or almost all of the wars, have been trade wars.

In the mighty and almost limitless potential of American industry-the brilliance and rugged determination of its leaders; the skill, energy and patriotism of its workers-there has been welded an almost impregnable defense against the evil designs of any who would threaten the security of the American continent. It is indeed the most forceful and convincing argument yet evolved to restrain the irresponsibility of those who would recklessly bring down upon the good and peace-loving peoples of all the nations of the earth the disaster of total war.

It's no mystery why many of us in the media can't get enough of the fabricators Jayson Blair and Stephen Glass, the latter of whom concocted more than a score of bogus feature stories for the New Republic (and who wrote for other magazines, including this one, once) in the mid-1990s. Anyone--journalist, student, academic--who has ever stared at a blank screen, their brains grinding emptiness, and thought, How can I fill this hole? knows that in those desperate moments before a deadline, almost anyone can do almost anything: make stuff up, plagiarize, scribble senseless half-truths.

Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.

It's the flip side of illegal success. This man [Pablo Escobar ] turned a small-time drug thing into a large industry. An international, successful industry. And he almost took a country, Columbia, he took it almost hostage, took over it. It was incredible.

In any new situation, whether it involves an elevator or a rocket ship, you will almost certainly be viewed in one of three ways. As a minus one: actively harmful, someone who creates problems. Or as a zero: your impact is neutral and doesn't tip the balance one way or the other. Or you'll be seen as a plus one: someone who actively adds value. Everyone wants to be a plus one, of course. But proclaiming your plus-oneness at the outset almost guarantees you'll be perceived as a minus one, regardless of the skills you bring to the table or how you actually perform.

If you go to the city of Washington, and you examine the pages of the Congressional Directory, you will find that almost all of those corporation lawyers and cowardly politicians, members of Congress, and misrepresentatives of the masses - you will find that almost all of them claim, in glowing terms, that they have risen from the ranks to places of eminence and distinction. I am very glad that I cannot make that claim for myself. I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from the ranks.

I tried to imagine how things could get much worse. The gods were in the Midwest fighting a huge monster that had almost defeated them once before. Poseidon was under siege and losing a war against the sea Titan Oceanus. Kronos was still out there somewhere. Olympus was virtually undefended. The demigods of Camp Half-Blood were on our own with a spy in our midst. Oh, and according to the ancient prophecy, I was going to die when I turned sixteen—which happened to be in five days, the exact same time Typhon was supposed to hit New York. Almost forgot that.

I'm definitely excited by big ideas, both in what I write and what I read. Most days, reality is so mind-numbingly dull that I don't understand why someone would write strictly realistic stories, given the almost limitless freedom fiction provides. I don't see the point of making believe if you're not going to actually make believe: hang your ass out in the wind, push at every boundary, make almost unreasonable demands on your reader's willingness to suspend disbelief. This is dangerous, and prone to failure, but that's part of what makes it fun.

The arc of American history almost inevitably moves toward freedom. Whether it's Lincoln and the Emancipation Proclamation, the expansion of women's rights or, now, gay rights, I think there is an almost-inevitable march toward greater civil liberties.

People are stupid; given proper motivation, almost anyone will believe almost anything. BecauHse people are stupid, they will believe a lie because they want to believe it’s true, or because they are afraid it might be true.

I've learned over time that every editor has told me when you're getting that much hate, you don't talk about it. You just kind of don't give it oxygen and let it go away. It's almost - not always, but almost - always the best policy.

At a really young age you just play ball and you have fun and you don't see basketball as something as a career, it just drives you crazy. But as the years went by and the goals got bigger for myself you realize that without almost being obsessed you won't reach those goals. So the older I get I think the more I realize that it's almost necessary to get to that level.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

Some actors might just do one thing, and another actor does another thing. I do an awful lot of preparation with the script, really. What I do is repeat the script, over and over and over again. Through that, it's almost like it seeps into my enamel. I'm reading all the characters, as well as my own. That is where the bulk of my preparation goes into.

Deep, bone-melting pleasure surged through Kira’s subconscious as he thrust forward again, almost causing her to shout at the crash of rapture filling her. “That is what I feel when I’m inside you.” His voice was low, eyes lit up with blinding green. “And you will feel every measure of the same, I promise.

When people feel criticized, they almost always defend the behavior you want them to change.

There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.

History goes out of control almost as often as nature does.

We, who think like animals living in small groups, must structure a global world. We believe in universal human rights and believe racism and war are wrong. On the other hand, it is our nature to be cooperative and loving almost exclusively with the members of the group to which we feel we belong.

I didn’t realize that pretending to be this ‘Hills Heidi,’ this spoiled rich girl who I wasn’t, would almost destroy me.

When the federal government announces indictments, weather it's a terrorism indictment or something else, it's almost like it's taken like gospel. My message to anyone who wants to do any of this kind of work is we desperately need a new generation of journalists who do not regard these indictments as gospel. Not to say they shouldn't be fairly reported on, but we need to start asking, "Is this really true?" I hope this can happen more in the future.

War begets war. It produces outraged and humiliated and furious people. That is almost invariably the case.

It is a profound mistake to imagine mistake to imagine that the art of combination depends only on natural talent, and that it cannot be learned. Every player knows that all (or almost all) combinations arise from a recollection of familiar elements.

I just think that the skepticism about truth has almost completely flipped - from being something associated with generally left-leaning progressives to being something which is a tool of right-wing populists and demagogues. I think a lot of those people writing books ten years ago would now think those books are no longer needed, they've kind of been vindicated.

Everyone's just extracting meaning and feeling and emotion from almost every aspect of music, and I think that for me, it's a huge antidote to that to have a concept album.