Quotes About Anymore

You can't beat your enemy anymore through wars; instead you create an entire generation of people revenge-seeking. [...] Our opponents are going to resort to car bombs and suicide attacks because they have no other way to win. I believe (Rumsfeld) thinks this is a war that can be won, but there is no such thing anymore. We can't beat anyone anymore.

I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.

Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.

I wore one on the first episode of season one [of Fuller House], and then I saw it, and I went back to my hairstylist, and I was like, "We are never using this again!" I know it was a good throwback for that first season, but I am 40, I cannot pull off a scrunchie anymore. Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.

There are so many low points with stand-up. You are perpetually humiliated, so it doesn't really matter anymore. I don't have any dignity left to lose. An audience can’t hurt you anymore when you’ve been completely dismantled.

Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.

All the things I used to like - cookies, ice cream, gumbo - I don't like anymore.

My accountant tells me I can't be a California resident anymore. I spend too much of my time in New York.

As I constantly remind Canadians, there isnt really a Canadian economy anymore. It is a global economy.

We don't play golf often [with kids] because they don't play that much anymore - because their kids don't play. It's like anything else - fathers these days end up in the parks on the weekends and they have their kids into lacrosse or soccer or whatever it might be.

I have no idea how to get in touch with anyone anymore. Everyone, it seems, has a home phone, a cell phone, a regular e-mail account, a Facebook account, a Twitter account, and a Web site. Some of them also have a Google Voice number. There are the sentimental few who still have fax machines.

There’s no accountability anymore, Pierce, no one holds anyone accountable for what they do. It’s always someone else’s fault. Usually people just blame the victim.

I'm glad I don't play anymore. I could never learn all those handshakes.

I understand how difficult it can be for an African-American in today’s society. In fact, I can relate to black people very well indeed. My ancestors once owned slaves, and it is in my lineage to work closely with the black community. However, just because they were freed over a century ago doesn’t mean they can now be freeloaders. They need to be told to work hard, and the incentives just aren’t there for them anymore. When I’m president I plan to work closely with the black community to bring a sense of pride and work ethic back into view for them.

I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.

I don't feel insecure about any of this work anymore. Maybe I don't have what I had when I was younger. I'm not really hungry to prove anything to anybody, really. But when I stand outside myself and observe what I think are my strengths and weaknesses going into directing, it's what you just said, an affliction to organize moments.

If you have it, it is for life. It is a disease for which there is no cure. You will go on riding even after they have to haul you on a comfortable wise old cob, with feet like inverted buckets and a back like a fireside chair... when I can't ride anymore, I shall still keep horses as long as I can hobble about with a bucket and a wheelbarrow. When I can't hobble, I shall roll my wheelchair out to the fence of the field where my horses graze, and watch them.

I don't know who it is, probably some geek - said that when a female gets to a certain age, all her sexuality goes. She's not a vital person anymore. If you're somebody's mother you're not vital. This is such crap, because you're still a person. You still have all the things that you came into childbearing with and all that kind of stuff.

I have a suspicion that the definition of "crazy" in show business is a woman who keeps talking even after no one wants to f*** [sleep with her] anymore.

Every day, a piece of music, a short story, or a poem dies because its existence is no longer justified in our time. And things that were once considered immortal have become mortal again, no one knows them anymore. Even though they deserve to survive.

What really is happening, is the word is now out, that when you want to move your plant to Mexico or some other place, and you want to fire all of your workers from Michigan and Ohio and all these places that I won, for good reason, it's not going to happen that way anymore.

I recently turned fifty, which is young for a tree, mid-life for an elephant, and ancient for a quarter-miler, whose son now says, "Dad, I just can't run the quarter with you anymore, unless I bring something to read."

This is how I feel about everything that's out of your control: once you make a record, it's not yours anymore. There's nothing you can do. It's the way I feel about political movements - both of those things grow on their own.

Sometimes you are forced to defend your beliefs. Sometimes you are forced to look at relationships that aren't positive anymore. There are times when I have had to make peace with the fact that I am at war. And sometimes you have to fight those who do not want love to conquer all.

I don't care anymore if people dress like me, now I want them to think like me.

It's easy to forget things you don't need anymore.

News flash, Fern Taylor!" Ambrose barked, slamming his hand against the dashboard, making Fern jump. "Everything has changed! You are beautiful, I am hideous, you don't need me anymore, but I sure as hell need you!""You act like beauty is the only thing that makes us worthy of love," Fern snapped. "I didn't just l-love you because you were beautiful!" She'd said the L word, right out loud, though she'd tripped over it.

I won! I won! I don't have to go to school anymore.

I was so self-critical. I still am, but it's not as bad anymore.

Many Americans don't mourn in public anymore - we don't wear black, we don't beat our chests and wail.

I'm probably the worst at games. I don't really like computer games either. And when I lose, I won't go again but just say I don't want to play anymore.

I had to take the driver's test twice. And they don't make you parallel park anymore, but you can't hit the curb when you're backing up. And I hit the curb.

When men hear women want a commitment, they think it means commitment to a romantic relationship, but that's not it. It's a commitment to not floating around anymore. I want a guy who is entrenched in his own life. Entrenched is awesome.

Before you, Bella, my life was like a moonless night. Very dark, but there were stars, points of light and reason. ...And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason, for anything.

In the middle of a conversation, she'll frequently say something like, "Young people are heartless, they don't have any respect anymore." I nod agreement in hopes that she'll stop right there, but secretly I'm convinced that the heart is the same as it's always been; there's simply less hypocrisy, that's all. Young people aren't naturally selfish, any more than old folks are naturally wise. Your age doesn't have anything to do with whether you're sensitive or shallow; it's a question of the path your life takes.

You are not a man anymore. You are a soldier. Your comfort is of no importance and your life isn't of much importance. Most of your orders will be unpleasant, but that's not your business. They should've trained you for this, and not for flower-strewn streets. They should have built your soul with truth, not led along with lies.

Is there any wonder why we are in such big trouble? Any question why the people don't trust their government anymore, and demand a change?

Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.

Everybody is in your business, gossiping and being mean spirited. It's different. Sometimes I'm like, "Do I want to do this?," because it's not about the art anymore. It's a struggle. There's part of me that wants to share my gift, which is art, and if I don't, am I taking away something that the Creator gave me to share? At the same time, I don't want to be a part of feeding the dumbing down of society.

The older you get, the less seriously you take criticism. I've gotten to a point now where I ignore it completely. It's just not relevant to me anymore.

The car was the iPhone of the 20th century. Kids these days don't have to drive anymore. They just go there virtually.

I've just had some of the worst situations with the most beautiful girls, who I just could not stand talking to anymore. The physical only lasts for so long.

The thing I have learned, especially in the Internet age, probably the easiest thing in the world is to declare that something is not funny. I mean it's not actually humor to say something is not funny, but it is viewed by a lot of people - and by that I mean mainly snarky young Internet men - as a kind of humor in and of itself is putting down other people's efforts at humor. And I don't care that much anymore about that because I know how easy that is to do.

I don't believe in doing thousands of cuts, then giving it to the editor to make the movie. 'Dump-truck directing' is my reference to that style of moviemaking. You have to know how to cut before you can shoot well. The lack of definition in movies today is appalling. Very few people know how to mount a narrative anymore. If a scene works in one cut, you don't need 10. Or it might need 10. Let's not make it 20.

When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.

I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.

The mature, forty-five-year-old woman, quite experienced in matters of life and death, knows that it was 'for the best,' but Daddy's girl, who hung onto his belt and danced fox trots on the tops of his shoes, cannot accept that Daddy is not here anymore.

I guess that's my defence, is like - even if people think it sucks - it's not me anymore, you know.